On all poets' talk of a fair summer's day,
Or eyes outstripping starlight (they twinkle and play!),
and all of the ridiculous, besotted things to say:
What some wish to call profound lyrics
Are descriptions of people who do not exist.
Perhaps how I feel about you is ridiculous.
Saturday, December 29, 2012
Friday, December 28, 2012
Why I Write, Part x+161: The Halls
The halls of my mind have been rather
alive,
In a sense. They were dancing with
meter and rhyme,
But at some point in the last two
months, my verse
Has ceased to make merry, preferring
perverse.
The cold weather came, and it followed
the bears,
Or perhaps my mind just went
downstairs,
and now it returns.
I have emerged,
From a cocoon,
Utterly the same poet.
It's as though 'me' is a thing that
really exists.
Candles and Obelisks
You burn each of my moments,
statuesque.
You make of them candles and obelisks,
But you are neither mason nor chandler;
We make moments, and my mind shapes
them thereafter.
We make the same moments unlasting,
But your mind is a different craftsman.
The result is inferior workmanship;
The result is a romance that doesn't
exist.
To an Ingenue, After the End of Days
It was written by logic and prophecy
and destiny
and my present but questionable moral
fortitude
That we should speak no more forever,
But with miles and hours and days
between
Our separate (and likely unequal)
screens,
You and I watch the same movie,
and I see what I think you would see.
It does not make me feel together,
Like I thought it would.
It makes me feel that we were never;
Which makes it honest, good.
Monday, December 17, 2012
The Microcosmic Market
I dissociate, and my mind meanders to examine my past acts.
Through the microcosmic market,
I wander stand-to-stand,
Living domino-chains of consequences,
Getting the feeling that none of us have lives,
Just liabilities in series, which we try to minimize.
Through the microcosmic market,
I wander stand-to-stand,
Living domino-chains of consequences,
Getting the feeling that none of us have lives,
Just liabilities in series, which we try to minimize.
Thursday, December 13, 2012
The People Who Lie to You (an Incomplete List)
1. A goodly number of people who make
entreaties.
2. A better number of those who just
make treaties.
3. Ninety-nine percent of the people
who say they love you.
4. One-hundred percent of people work
positions up above you
5. and one-hundred ten percent of
those who work in retail, or for tips.
6. Those who tell you to count on our
race's honest lips.
7. Those who tell you what you can
expect.
Oh, the harm of lies of earnestness.
Deciding What To Do
Deciding what to do with a life,
Might take no more than a thought-space
in time.
All that remains is inconsequent
consequence,
The ashes of the choice to sin and
suffer
In front of, in the name of another.
Deciding what to do with a life
Might take time I can't imagine living,
That which I value, and lie for, and
can't stand giving.
As hated, as dreaded as endings are,
An important beginning is ten times as
hard.
Tonight's Trees
Tonight's trees haunt me,
Snow-covered skeletons standing against
the cosmos,
Beautiful in living death
(Yeah, for about a minute).
The ghost of almost-enlightenment has
already faded.
Once, in life, clouds blur the sky,
The scene's already started to blur in
my mind.
You will haunt me differently.
May I live a hundred years
and you live a thousand years
and our paths never cross again,
I'll get halfway to saying something
and fumble it,
Or the drink in my hand will spill,
Because even if our paths never cross
again,
Our minds will.
Tuesday, December 11, 2012
I Am What I Eat
You've changed the poet where you can't changed the man.
I am what I eat, and you feed me inspiration:
A strange stew of love and pessimism;
I can't live without you, fear I won't see you again.
I am what I eat, and you feed me inspiration:
A strange stew of love and pessimism;
I can't live without you, fear I won't see you again.
Friday, December 7, 2012
Scrabble and Grasp
I stand more than arm's length from the end of my past,
So I reach and I stretch, and I scrabble and grasp
and I claw with my fingernails to hook it, get it back,
But there's barely a nibble and the line goes slack,
and all I'm left with are fish stories.
Someone else keeps the parts of my past
That aren't really mine anymore.
So I reach and I stretch, and I scrabble and grasp
and I claw with my fingernails to hook it, get it back,
But there's barely a nibble and the line goes slack,
and all I'm left with are fish stories.
Someone else keeps the parts of my past
That aren't really mine anymore.
Thursday, December 6, 2012
Most Times
Sometimes I regret saying things I
don't believe
Just for attention, with superficial
intentions.
I regret so many words that no one else
remembers.
Sometimes I wonder what would happen if
I apologized.
Sometimes I regret the things that I
said
To breathe life into connections
Or to leave them broken and dead.
Sometimes I regret being too smart
To risk my lifetime for a good time.
Most times I forget not to think; I
regret those times
When I said nothing and shouldn't have.
Let Everything Go
I do not save the date. I do not save
a place
In labyrinthine lines, in the ahead-of
times.
I just let everything go, in my
indifference
and it rolls down life's path of least
insistence,
Into uncertain, uncomfortable, ripe
situations,
A life-landscape that far exceeds all
expectations,
'Til my world is populated by
brilliant, beautiful women
and a lot of adroit, admirable men,
and my curse has left me blessed again.
You know awesome by analysis?
Meet magnificent by mismanagement.
Loose
I'm up for that.
I'm down for that.
What's going up down the street?
What's going down up the street?
Pass it up. Pass it down.
Pass it on, pass it off.
Pass off, pass on, pass away.
Take it up, take it down,
Take it in, take it away.
Put on, put off, put away.
Put it on, put it off, take it away.
It's a given, I'm quite taken.
Keep on, keep off, keep out.
Keep choppin' wood.
Put your feet up.
Put your hands up.
All I do is loose.
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